Monthly Archives: June 2017

Beginner’s Colour Pencil Tutorial – Pear

This is an excellent project for a beginner colour pencil artist. The simple shape is very forgiving,  and the shading and texture does not need to be perfect to make a good-looking final product.  This drawing only uses 7 pencils and uses odorless mineral spirit to blend.

Reference Photo.

 

I used Polychromos pencils:

  • May Green
  • Permanent Green Olive
  • Van Dyke Brown
  • Nougat
  • Payne’s grey
  • Warm Grey II
  • White

If you wish to use Prismacolor pencils ( I find them to be a little more difficult to control with the solvent, they will spread VERY easily…  but will give a slightly more vibrant result. )

  • Lime Peel
  • Olive Green
  • Light Umber
  • Sepia
  • Warm Grey 90%
  • Warm Grey 30%
  • White

Step 1.

Transfer the image to your paper.  If you feel confident, you can use a light graphite pencil to draw out the outline directly onto your paper, but be careful not to erase too heavily! We need to take care of the paper surface and excessive erasing can damage the tooth of the paper, or leave unsightly marks.

I like to draw out my pieces on sketchbook paper, then use transfer paper to put my final drawing onto my good paper. However, if you are not as confident in your drawing skills and you just want to get to the good stuff, you can use this line drawing to trace. Whichever method you choose, try to keep your line work as light as possible, so you don’t see the graphite in your final image.

Don’t worry too much about the line drawing. The pear is a simple shape that does not need to be perfectly drawn to create a good finished drawing. All pears are different, no one will know if yours is a little wonky! 

 

Step 2. Use the white pencil to lightly colour the area of highlight. This will keep your highlight nice and bright , and safe from accidental colouring with your greens.

Step 3. Give the pear a light layer of May Green. With a sharpened pencil and holding the pencil away from the tip, create a light layer over the main area, avoiding the highlighted areas. When complete this area will look patchy and there will be patches of white paper showing through. We will use the thinners to fill in these areas later.

Step 4.  Define the areas of shadow with Permanent Olive green. Following the reference photo carefully, use the darker green pencil to start to define the shadows. The darkest areas are at the base of the pear, and to the right hand side.

Switching a reference photo to B&W can sometimes make it easier to see subtle differences is value and makes identifying these shadowed areas easier.

 

 

Step 5. Add the major brown blemishes, especially around the stem.

Step 6Blend colours using Odorless mineral spirits. Use a soft brush, and blot some of the thinners off your brush before starting to blend, make small circular motions to push the pigment into the pits of the paper

Step 7. Add shadow to the base while waiting for the thinners to dry. The lighter area of the shadow is created by using a feather light touch of the light grey pencil on the paper

Step 8 When Thinners are dry, add another layer of the greens all over the pear, this time you can start to blend into the white highlight a little, so it is not too separate from the rest of the pear. The White pencil you used on the first step should protect your highlight from being darkened too much.

Step 9 Blend, but this time using much less thinner on your brush, the brush must be quite dry, as too much thinner now will start to lift colour from your paper!! You only need the slightest bit of moisture in the brush. Since we already covered the paper with a base layer, we only need to move the top layer of pencil, and it takes very little solvent to achieve this.

Step 10. Colour the Lights and shadows on stem, colouring in the direction of the texture of the stem. and blend using thinners

Step 11. Deepen shadows and start to add textures to the skin. Try to keep the small brown blemishes as random as you can; it can be easy to accidental create unintentional patterns, so pay attention as you work. Areas in shadow can be marked with darker spots, highlighted areas should only have very small/light spots.

Step 12. Add a slight halo around your blemishes using the darker green. Then  lightly blend the blemishes into the skin with very dry brush. This is simply to soften the look of the blemishes, so only a very light touch with the brush is needed.

Step 13. Assess your piece. Check shadows and sharpen a few  blemishes. Now is the time to step back a little and look for ways in which you think your piece can be improved. When you feel you have done all you can, You’re all done!!

 

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